Scarlatti – Dixit Dominus (DXL 1096)

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Description

Francesco Scarlatti was the younger brother of Alessandro. His early years were spent in Naples and Rome and in 1719 he travelled to London to work with Handel. In 1724 he moved to Dublin where he spent the rest of his life.

Francesco Scarlatti’s musical language is very close to that of his brother Alessandro’s. His Neapolitan training is discernable through a fondness for irregular melodic phrases, colourful and often highly dissonant harmonies, contrapuntal interplay of independent instrumental parts and fugal writing with strict vocal couternpoint.

Armonico Consort has established itself as one of the foremost interpreters of baroque and renaissance music since its formation in 2001. It is performing a well received concert schedule, including venues such as the Wigmore Hall, London, with soprano Emma Kirkby. Armonico Consort’s reputation is built on precision and an extraordinary depth of dynamic colouring leading to truly breathtaking performances.

Scarlatti – Dixit Dominus (DXL 1096) Digital Booklet

Track List

1 – 9 Dixit Dominus a 16 voci con instrumenti
10 – 19 Messa a 16 voci con instrumenti
20 – 30 Miserere SSATB con instrumenti

 

 

Armonico Consort has established itself as one of the foremost interpreters of baroque and renaissance music since its formation in 2001.  This recording features the world premiere recordings of Francesco’s Messa and Dixit Dominus, for which they are joined by soprano Emma Kirkby, Concerto Galleses and The English Cornett and Sackbut Ensemble.

“Presented here are world premiere recordings of Francesco’s Messa and Dixit Dominus, both works in the polychoral style for 16 parts, and the smaller-scale Miserere.

“The Armonico Consort, accompanied by the concerto Gallese and English Cornett and Sackbut Ensemble, give lively, stylish performances under Christopher Monks, relishing the grandeur of the antiphonal polyphony and the frequent moments of awestruck wonder. There is plenty of fine music here and some that is truly ravishing.”  Evening Standard, July 2004

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